Contact: Leah Krauss
The Mertz Gilmore Foundation has an extensive history of supporting dance in the city, reflecting Joyce Mertz Gilmore’s passion for dance. The Joyce Theater in Chelsea is named in her honor. Mertz Gilmore was one of the first foundations to recognize the key role that presenters play in the dance field – providing artists with technical and promotional support, commissioning pieces, staging works-in-progress, mounting full performance seasons, educating audiences through outreach programs, and developing a vital distribution network for live performance. The Foundation continues to fund contemporary dance presenters located throughout the city’s five boroughs. Our objective remains to support and invigorate the presenting field to serve New York City’s artists and audiences.
The Program’s grants fall into two categories:
I. Presenters: The Foundation provides general operating support for presenters of small to mid-sized dance companies in New York City. A presenter is an organization, or department or program of a larger organization, which facilitates exchanges between New York City’s artists and audiences through creative performance opportunities. Grants are available only to groups that present contemporary dance (exclusively or as a part of multi-disciplinary programs). Grant terms will generally be two years in length. To qualify for a grant, applicants must demonstrate the following:
- A current and continuous three-year history of presenting high quality contemporary dance;
- A substantial annual budget dedicated to dance;
- The dance budget should include annual expenses related to dance presentations; residency and commissioning programs; technical assistance services to dance artists; and rehearsal space and time
- The dance budget should NOT include expenses related to fiscal sponsorships; dance schools/conservatories; or school-based arts education programs;
- Sound organizational financial capacity and stable management, documented by the organization’s most recent audit and operating budget;
- Ongoing performance activity (with multiple dance presentations each year); and
- Efforts to increase and diversify the audience for dance.
II. Advocacy/Support Services: On a limited basis and for opportunities that meet strategic concerns of the Foundation, organizations may submit proposals for discrete advocacy/support services projects to advance the dance field by improving conditions for individual dance artists. Prior to submitting a letter of inquiry, grantseekers are encouraged to contact Leah Krauss to discuss the nature of the proposed project.
The Foundation will not make grants for individual artists or companies, or organizations based outside of New York City.
TO APPLY: Please e-mail a 3-page letter of inquiry to Leah Krauss to help staff determine the possible fit with the Foundation’s criteria and program priorities. Please include a detailed budget of your dance program.
Deadline: Letters of inquiry for the upcoming spring 2017 grant cycle are due by Friday, January 20, 2017. Final funding decisions will be made by the Board in April.
2016 GRANTS (Updated May 2016)
Baryshnikov Arts Center
$60,000 over two years to support the development and presentation of dance. (Year 1)
Bronx Museum of the Arts
$50,000 over two years to expand the Bronx Museum’s role as a presenting institution for dance. (Year 1)
College Community Services (Brooklyn Center for the Performing Arts)
$20,000 over two years to support the dance series at Brooklyn Center for the Performing Arts. (Year 1)
$50,000 over two years to support Dancenow Joe’s Pub. (Year 1)
Fiorello H. LaGuardia Community College Foundation (LaGuardia Performing Arts Center)
$20,000 over two years to support dance presentations. (Year 1)
Gina Gibney Dance
$80,000 over two years to present dance at Gibney Dance Center. (Year 1)
Jacob’s Pillow Dance Festival
$120,000 over two years to support New York City dance artists at Jacob’s Pillow. (Year 1)
Kings Majestic Corporation (651 Arts)
$70,000 over two years to support choreographers of the African diaspora. (Year 1)
La MaMa Experimental Theatre Club
$40,000 over two years to support the dance program at La MaMa. (Year 1)
Late Stage Stipend Grants
$91,000 to 26 dance presenters to help dancemakers in the later stages of the artistic process.
Lower Manhattan Cultural Council
$60,000 over two years to grow a dance program in Lower Manhattan. (Year 1)
MAPP International Productions
$50,000 over two years to support NYC dance artists who develop socially relevant work. (Year 1)
New York Live Arts
$80,000 over two years to support and present dance. (Year 1)
Queens College Foundation (Selma and Max Kupferberg Center for the Visual and Performing Arts)
$100,000 over two years to build a network of rehearsal and performance opportunities for dance companies throughout the CUNY system. (Year 1)
Socrates Sculpture Park
$20,000 over two years to support the dance series at Socrates Sculpture Park in Long Island City, Queens. (Year 1)
$40,000 over two years to support SLAM Presentations. (Year 1)
Works & Process, Inc.
$30,000 over two years to present dance at the Guggenheim Museum. (Year 1)
Advocacy & Support Services
Bedford Stuyvesant Restoration Corporation
$100,000 over two years to help Restoration develop a dance rehearsal and presenting program. (Year 1)
Center for Traditional Music and Dance
$50,000 over two years to help preserve, cultivate, and present the work of New York City’s immigrant and ethnic dancers. (Year 2)
Dance Service New York City (Dance/NYC)
$100,000 over two years to provide general support. (Year 2)
Exploring the Metropolis
$30,000 over two years to support a pilot residency program in Jamaica, Queens open to choreographer and composer pairs. (Year 2)
Fractured Atlas Productions (American Dance Abroad)
$100,000 over two years to strengthen international tour opportunities for New York City dance artists. (Year 1)
School of American Ballet
$50,000 over two years to help the School of American Ballet develop a career advisement and placement program for students. (Year 2)